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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

Apocalypse Revealed #421

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421. And to him was given the key to the bottomless pit. This symbolizes their hell opened.

A key symbolizes the power to open, and also to close (nos. 62, 174, 840). And a bottomless pit symbolizes hell, where those people reside who have affirmed in themselves justification and salvation by faith alone, all of whom come from the Protestant Reformed Church. Here, however, they are people who appear in their own eyes and so in the eyes of many others to be educated and erudite - even though in the sight of angels in heaven they appear to be bereft of intellect as regards matters having to do with heaven and the church, since people who affirm such a faith, even so far as to affirm its inner tenets, close the higher constituents of their intellect, and this at last to such an extent that they can no longer see any spiritual truth in any light. The reason is that an affirmation of falsity constitutes a denial of the truth. Consequently, whenever they hear some spiritual truth, namely, a truth of the Word serviceable for doctrine and life for people of the church, they keep their mind in the falsities they have affirmed; and then they either shroud the truth they have heard in falsities or reject it as nothing but words, or they yawn at it and turn away, and this the more conceited they are owing to their erudition. For conceit glues the falsities together until they at last stick together, like solidified sea foam. The Word is therefore hidden from them, like a book sealed with seven seals.

[2] I will describe, furthermore, their character, and the character of their hell, because it has been given me to see it and speak with the inhabitants there, and also to see the locusts that issued from it:

That pit, which is like the mouth of a furnace, appears in the southern zone, and the abyss beneath it extends a great distance toward the east. The inhabitants in it have light, but if light from heaven is let in, the hell becomes dark. Consequently the pit is closed above.

Seen there are huts with arched roofs, built seemingly of brick, which are divided into several small rooms, and each room has in it a table, with sheets of paper lying on it, along with some books. At each table sits someone who in the world affirmed justification and salvation by faith alone, making charity a merely natural moral act, and deeds of charity simply those of civil life by which people are able to achieve rewards in the world; but if people should do those deeds for the sake of salvation, they condemn those deeds, and some of them do so severely, because the deeds have in them human reason and human will.

All the people in this abyss were educated and erudite in the world. And among them are some metaphysicians and scholastics who are held in higher esteem than the rest there. I recognized several when it was granted me to speak with them.

[3] Their fate, however, is this: When they are first admitted there, they sit in the first small rooms; but as they argue for faith to the exclusion of works of charity, they leave their former seats and go into little rooms nearer the east, and this repeatedly until they reach the end, where those people reside who use the Word to defend those tenets. And because they cannot help but falsify the Word then, their huts vanish, and they see themselves in a desert; and at that point they undergo such experiences as described in no. 153 above.

There is also another abyss beneath that abyss, where the residents are people who have similarly argued for justification and salvation by faith alone, but who within themselves, in their spirit, have denied God, and at heart have laughed at the sanctities of the church. They do nothing but argue there, tearing their garments, climbing up on the tables, stamping their feet and battling each other with invectives. And because no one is permitted to do physical harm there, they threaten vocally and shake their fists.

The environment there is unclean and squalid. But this a subject for another time.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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