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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

True Christian Religion #80

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80. The fifth experience.

Once a satan was given leave to come up from hell together with a woman, and he approached the house where I was. On seeing them I shut the window, but carried on a conversation with them through it. I asked the Satan where he came from, and he said from the company of his own people.

I asked where the woman came from, and he made the same reply. She belonged to the crew of sirens. Their skill is by fantasy to put on every appearance of beauty and every adornment of dress. At one time they assume the beauty of Venus, at another the charm of countenance of a Muse, at another they deck themselves like queens in crowns and robes, and pace in regal fashion leaning on silver staves. Such women in the spiritual world are prostitutes and specialise in fantasy. They induce fantasies by thinking sensually, which blocks any ideas from a more inward mode of thinking.

I asked the Satan if she was his wife. 'What is a wife?' he replied. 'This is a term unknown to me and my community; she is my woman.' Then she roused her man's lewdness, a thing these sirens are skilled in doing. On feeling this he kissed her, saying, 'Oh my Adonis!'

[2] But to more serious matters. I asked the Satan what was his calling. 'My calling,' he said, 'is learning; don't you see the laurel wreath on my head? 'This his Adonis had conjured up by her magic arts and put on his head from behind.

'Since you come from a community,' I said, 'where there are schools of learning, tell me what you and your companions believe about God.' 'God,' he replied, 'is for us the universe, which we also call nature. Simple folk in our country call it the atmosphere, by which they mean the air; but the intelligent mean the atmosphere which is also the ether. God, heaven, angels and the like, the subject of many tales in this world, are idle words and fictions inspired by meteors, which many people here have seen flash before their eyes. Is not everything to be seen upon earth the creation of the sun? Every time it approaches in springtime are not insects born, with and without wings? Does not its heat make birds love each other and reproduce? And does not the earth, warmed by its heat, cause seed to sprout and produce fruits as its offspring? Does this not mean that the universe is God, and nature a goddess, and she as the wife of the universe conceives, bears, rears and nurtures these things?'

[3] I went on to ask what he and his community believed about religion. 'We who are educated above the ordinary level,' he replied, 'look on religion as nothing but a toy for the common people. The sensory and imaginative areas of their minds are surrounded with a sort of aura, in which religious ideas flit about like butterflies in the air. Their faith, which links these ideas into a sort of chain, resembles a silk-worm in its cocoon, from which the king of butterflies flutters forth. For the uneducated masses love images which rise above the bodily senses and the thoughts they engender, because they have a longing to fly. So they make themselves wings, so that they can soar like eagles and show off in front of the earth-bound, saying, 'Look at me!' We, however, believe what we see and love what we touch.' At this he touched his woman, saying, 'This I believe, because I see and touch it. But we throw all that sort of rubbish out of our windows of mica, and waft it away on a gale of laughter.'

[4] Then I asked his opinion and that of his companions on heaven and hell. He laughed and said: 'What is heaven but the ethereal firmament on high? What are angels but spots wandering round the sun? What are archangels but comets with their long tails, on which their company lives? What is hell but marshland full of frogs and crocodiles, which their imagination turns into devils? Everything but these ideas of heaven and hell is mere nonsense, thought up by some church dignitary to seek fame among an ignorant populace.'

He said all this exactly as he had thought in the world, unaware that he was living after death, and forgetful of everything he had been told when he first entered the world of spirits. Therefore even when asked about life after death, he replied that it was a figment of the imagination, but there might perhaps be some effluvium given off by the corpse in the grave in shape resembling a person, or something like the ghosts which some tell tales about, and this had led people to fantasise on the subject.

[5] On hearing this I could no longer stop myself bursting out laughing. 'Satan,' I said, 'you really are mad. What are you now? Are you not in shape like a person? Don't you talk, see, hear and walk? Remember that you lived in another world, which you have forgotten, and now you are alive after death, yet have been speaking exactly as you did before you died.'

He was given back his memory, and on remembering he was ashamed and cried: 'I am mad. I have seen heaven up above, and heard angels there speak things beyond description. But this was when I was a recent arrival. Now I shall remember this to tell the companions I left behind, and then perhaps they will be ashamed too.' He had it on the tip of his tongue to call them mad, but as he went down forgetfulness blotted out his memory, so that on arrival he was as mad as they were, and called what I had told him madness.

Such is the state of thought and conversation among satans after death. The name of satans is given to those who have convinced themselves of falsities until they completely believe them, and the name of devils to those who have fostered evils in their characters by living a wicked life.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

From Swedenborg's Works

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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