Commentary

 

Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

Apocalypse Revealed #926

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926. To this I will append the following account:

When I was engaged in explaining chapter 20 and thinking about the dragon, the beast, and the false prophet, someone appeared to me and asked, "What are you thinking about?"

I said, "About the false prophet."

Then he said, "I will take you down to the place where those people reside who are meant by the false prophet. They are," he said, "the same people as those meant in chapter 13 by the beast from the earth, which had two horns like a lamb and spoke like a dragon."

I followed him, and behold, I saw a crowd of people, and in their midst some priests who had taught that nothing else saves a person but faith, and that works are good, but not for salvation. Yet works, they said, must still be taught from the Word in order to keep the laity, especially the simple, more tightly in bonds of obedience toward their magistrates, and to compel them, as though by religion, thus from a deeper motive, to exercise a moral charity.

[2] One of the priests then, seeing me, said, "Would you like to see our chapel? We have an image representative of our faith there."

I went over and looked, and behold, it was magnificent. And at its center was the image of a woman, dressed in a scarlet garment, holding in her right hand a gold coin, and in her left a string of pearls. Both the chapel and the image, however, were produced by illusions. For spirits in hell can use illusions to represent magnificent things by closing the inner constituents of the mind and opening only its outer ones. But when I noticed that the spirits were such sorcerers, I prayed to the Lord, and suddenly the interiors of my mind were opened; and instead of a magnificent chapel I saw a building filled with cracks from the ceiling to the floor, with nothing in it holding together. And instead of the woman I saw in the building a statue hanging, with a head like that of a dragon, a body like that of a leopard, and feet like those of a bear, being thus like the description of the beast from the sea in the book of Revelation, chapter 13. Moreover, the floor was replaced by a swamp teeming with frogs. And I was told that beneath the swamp was a large hewn stone, under which lay the Word, well hidden.

[3] Seeing these changes, I said to the sorcerer, "Is this your chapel?" And he said it was.

But suddenly then his inner sight was opened too, and he saw the same changes I saw. And seeing them, he cried with a great cry, "What is this? And why did it happen?"

So I said that it was due to light from heaven, which exposes the true character of every form. "And in this case," I told them, "it is the character of your faith that is divorced from any spiritual charity."

Immediately then an eastern wind came and took everything there away; and it also dried up the swamp, and so laid bare the stone under which lay the Word. After that a spring-like warmth wafted over me from heaven, and behold, I saw in that same place a tent, simple in its outward form.

Then some angels who were with me said, "Behold, the tent of Abraham, as it was when the three angels came to him and announced the future birth of Isaac. It looks simple to the eye, but it becomes more and more magnificent in proportion to the influx of light from heaven."

It was given them then to open the heaven inhabited by spiritual angels, who are characterized by wisdom, and owing to the light flowing in from there the tent looked like a temple, like the one in Jerusalem. And when I looked inside, I saw a foundation stone beset with precious stones, under which the Word had been placed. From the precious stones flashed light like that of lightning on the walls, which had on them figures of cherubim, and it bathed them in beautifully variegated colors.

[4] While I was admiring these things, the angels said, "You will see something still more marvelous." And it was given them to open the third heaven, inhabited by celestial angels, who are characterized by love, and then, owing to the light flowing in from there, the temple completely vanished, and in its stead I saw the Lord alone, standing on the foundation stone, which was the Word, in an appearance like that in which John saw Him in chapter 1 of the book of Revelation. But because a reverence then filled the interiors of the angels' minds, which produced in them an urge to fall prostrate upon their faces, suddenly the Lord closed the course of the light from the third heaven and opened the course of the light from the second heaven, and therefore the earlier appearance of a temple returned, and also that of the tent, but in the temple.

These experiences served to illustrate what is meant by the words in this chapter,

Behold, the tabernacle of God is with men, and He will dwell with them (verse 3, no. 882) 1

And by the words,

I saw no temple in (the New Jerusalem), for the Lord God Almighty and the Lamb are its temple (verse 22, no. 918).

Footnotes:

1. In the original Latin, the word for tent and the word for tabernacle are the same.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.