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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

Conjugial Love #103

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103. To this I will append two narrative accounts. Here is the first:

One morning before sunrise, I looked out towards the east in the spiritual world and I saw four horsemen seemingly flying out of a cloud that shone with the blaze of dawn. On the heads of the horsemen I saw curled helmets 1 , on their arms what appeared to be wings, and about their bodies light orange-colored tunics. Thus dressed, like racers they rose up on their horses and held the reins out over their manes, so that the horses went out at a gallop like wing-footed steeds.

I followed their course or flight with my eyes, with a mind to find out where they were going. Then suddenly three of the horsemen peeled off in three directions, to the south, the west, and the north, while the fourth pulled up after a short space and came to a halt in the east.

[2] Wondering at this, I looked up to heaven and asked where the horsemen were going. I received the reply, "To the wise in the kingdoms of Europe, people of polished reason and keen sight in analytical investigations who enjoyed a reputation for genius among their contemporaries. They are being summoned to come and solve the secret of the origin of conjugial love and its vigor or potency."

Those speaking from heaven also said, "Keep looking, and in a little while you will see twenty-seven carriages, three with Spaniards in them, three with natives of France or Frenchmen, three with Italians, three with Germans, three with natives of the Netherlands or Dutchmen, three with Englishmen, three with Swedes, three with Danes, and three with Poles."

Then, after two hours, their carriages appeared, drawn by ponies light bay in color with strikingly decorated harnesses. And traveling rapidly to an immense house visible in the border region between the east and the south, the riders all got out of their carriages around the house and boldly went in.

[3] Moreover I was then told, "Go on over and go in, too, and you will hear."

I went and entered the house, and examining it inside, I saw that it was square, with sides facing towards the four points of the compass. Each of the sides had three high windows containing panes of crystal, whose frames were made of olive wood. From either side of the frames projected walls in the form of rooms, with vaulted ceilings and containing tables. These walls were made out of cedar, the ceilings out of fine sandarac wood 2 , and the floors out of boards of poplar. Against the east wall - where I did not see any windows - a table stood, overlaid with gold, on which had been placed a miter covered with precious stones. This would go as an award or prize to the one who found the secret of the riddle to be presently put before them.

[4] As I looked around at the rooms formed by the projecting walls, which were like compartments along the windows, I saw in each of them five men from the same European kingdom, who were ready and waiting for the topic on which they were to render judgment.

Instantly, then, an angel stood in the middle of the palace and said, "The subject on which you are to render judgment is the origin of conjugial love and its vigor or potency. Discuss it and come to a decision. Then when you have reached a decision, write your opinion on a piece of paper and put it into the silver urn that you see placed beside the gold table. Also, sign it with the initial letter of the kingdom you are from. For example, if you are natives of France or French, write F. If you are natives of the Netherlands or Dutch, write N. If you are Italian, write I. If you are English, write E. If you are Polish, write P. If you are German, write G. If you are Spanish, write Sp. If you are Danish, write D. And if you are Swedish, write Sw."

With these words the angel departed, saying as he left, "I will return."

The five fellow countrymen in each compartment along the windows then considered this instruction, analyzed the subject, and after coming to a decision to the best of their ability to judge, wrote it down on a piece of paper, signed it with the initial letter of their kingdom, and put it into the hollow silver container.

Three hours later, when they were all finished, the angel returned to draw the pieces of paper out of the urn one by one and read them in the presence of the whole gathering.

Footnotes:

1. Probably morions or comb morions.

2. Literally, "thyine wood." See Revelation 18:12, where it has been variously translated.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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