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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

Conjugial Love #103

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103. To this I will append two narrative accounts. Here is the first:

One morning before sunrise, I looked out towards the east in the spiritual world and I saw four horsemen seemingly flying out of a cloud that shone with the blaze of dawn. On the heads of the horsemen I saw curled helmets 1 , on their arms what appeared to be wings, and about their bodies light orange-colored tunics. Thus dressed, like racers they rose up on their horses and held the reins out over their manes, so that the horses went out at a gallop like wing-footed steeds.

I followed their course or flight with my eyes, with a mind to find out where they were going. Then suddenly three of the horsemen peeled off in three directions, to the south, the west, and the north, while the fourth pulled up after a short space and came to a halt in the east.

[2] Wondering at this, I looked up to heaven and asked where the horsemen were going. I received the reply, "To the wise in the kingdoms of Europe, people of polished reason and keen sight in analytical investigations who enjoyed a reputation for genius among their contemporaries. They are being summoned to come and solve the secret of the origin of conjugial love and its vigor or potency."

Those speaking from heaven also said, "Keep looking, and in a little while you will see twenty-seven carriages, three with Spaniards in them, three with natives of France or Frenchmen, three with Italians, three with Germans, three with natives of the Netherlands or Dutchmen, three with Englishmen, three with Swedes, three with Danes, and three with Poles."

Then, after two hours, their carriages appeared, drawn by ponies light bay in color with strikingly decorated harnesses. And traveling rapidly to an immense house visible in the border region between the east and the south, the riders all got out of their carriages around the house and boldly went in.

[3] Moreover I was then told, "Go on over and go in, too, and you will hear."

I went and entered the house, and examining it inside, I saw that it was square, with sides facing towards the four points of the compass. Each of the sides had three high windows containing panes of crystal, whose frames were made of olive wood. From either side of the frames projected walls in the form of rooms, with vaulted ceilings and containing tables. These walls were made out of cedar, the ceilings out of fine sandarac wood 2 , and the floors out of boards of poplar. Against the east wall - where I did not see any windows - a table stood, overlaid with gold, on which had been placed a miter covered with precious stones. This would go as an award or prize to the one who found the secret of the riddle to be presently put before them.

[4] As I looked around at the rooms formed by the projecting walls, which were like compartments along the windows, I saw in each of them five men from the same European kingdom, who were ready and waiting for the topic on which they were to render judgment.

Instantly, then, an angel stood in the middle of the palace and said, "The subject on which you are to render judgment is the origin of conjugial love and its vigor or potency. Discuss it and come to a decision. Then when you have reached a decision, write your opinion on a piece of paper and put it into the silver urn that you see placed beside the gold table. Also, sign it with the initial letter of the kingdom you are from. For example, if you are natives of France or French, write F. If you are natives of the Netherlands or Dutch, write N. If you are Italian, write I. If you are English, write E. If you are Polish, write P. If you are German, write G. If you are Spanish, write Sp. If you are Danish, write D. And if you are Swedish, write Sw."

With these words the angel departed, saying as he left, "I will return."

The five fellow countrymen in each compartment along the windows then considered this instruction, analyzed the subject, and after coming to a decision to the best of their ability to judge, wrote it down on a piece of paper, signed it with the initial letter of their kingdom, and put it into the hollow silver container.

Three hours later, when they were all finished, the angel returned to draw the pieces of paper out of the urn one by one and read them in the presence of the whole gathering.

Footnotes:

1. Probably morions or comb morions.

2. Literally, "thyine wood." See Revelation 18:12, where it has been variously translated.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

True Christian Religion #508

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508. The sixth experience.

One day a magnificent church building appeared to me; it was square in plan with a roof like a crown, with arches above and a raised parapet running around. Its walls were all windows made of crystal, its door of a pearly substance. Inside on the south side towards the west there was a platform, on which the open Word lay at the right surrounded by a blaze of light, so bright as to spread round and light up the whole platform. In the middle of the church was a shrine with a curtain in front of it; but this was now raised and there stood a golden cherub with a sword which he brandished in all directions in his hand.

[2] When I caught sight of all this, as I meditated, the meaning of each of the details came flooding into my mind. The church meant the new church; the door of a pearly substance, entry into it; the windows of crystal the truths which enlighten it; the platform the priesthood and their preaching; the Word on it, open and lighting up the top of the platform, the revelation of its internal, or spiritual, sense; the shrine in the middle of the church the link of that church with the heaven of angels; the golden cherub there the Word in its literal sense; the sword brandished in his hand meant that this sense can be twisted in different ways, so long as it is made to refer to some truth. The lifting of the curtain in front of the cherub meant that now the Word was laid open.

[3] Later, when I got closer, I saw there was an inscription over the door: NOW IT IS PERMITTED. This meant that now it is permitted to enter with the understanding into the mysteries of faith. Seeing this inscription led me to think that it is extremely dangerous to enter with the understanding into the dogmas of faith which have been put together out of one's own intelligence and the falsities it produces, and even more so to seek to support them by quoting the Word. This has the effect of shutting off the understanding at the top and little by little also at the bottom, to such an extent that theology is not only disliked but actually wiped out, like the writing on a paper being destroyed by book-worms, or the wool of a piece of cloth by grubs. His understanding then concerns itself only with political affairs which affect his life in the country where he lives, and with civil affairs relating to his official duties, and with domestic affairs of his household; and in all of these he constantly embraces nature, being led by the enticement of its pleasures to love it, as an idolater does the golden image in his lap.

[4] Now since the dogmas of present-day Christian churches are put together not from the Word, but from people's own intelligence and the false ideas that come from that, and also by means of some ideas supported from the Word, for this reason the Lord's Divine providence has seen to it that among Roman Catholics the Word has been taken away from laymen, while among Protestants it remains open, though shut off by their frequent saying that the understanding must be kept in obedience to their faith.

[5] But in the new church the opposite happens; here it is permitted with the understanding to approach and penetrate all its secrets, and also to support them from the Word. The reason is that its doctrines are a series of truths revealed by the Lord through the Word; and proving them by rational argument causes the understanding to be opened up above more and more. This lifts it into the light enjoyed by the angels of heaven; and that light is in essence truth, and it makes the acknowledgment of the Lord as the God of heaven and earth shine out in all its glory. This is what the inscription 'NOW IT IS PERMITTED' over the door means; and the removal of the curtain of the shrine in front of the cherub has the same meaning. It is a rule in the new church that falsities shut off the understanding, and truths open it up.

[6] After this I saw what looked like a child overhead, holding a paper in his hand. As he approached me, he grew in size until he was a man of average height. He was an angel from the third heaven; all there look at a distance like children. When he reached me, he held the paper out to me. But since it was written in the rounded script customary in that heaven, I gave it back and asked them to expound the meaning of what was written on it in words I could comprehend in my thinking.

'What is written here,' he replied, 'is: FROM NOW ON ENTER INTO THE MYSTERIES OF THE WORD WHICH HAVE SO FAR BEEN HIDDEN: FOR EACH ONE OF ITS TRUTHS IS A MIRROR IN WHICH WE SEE THE LORD.'

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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